1996 release. Alexander Glazunov (1865-1936) Raymonda, Op. 57 Complete Ballet performed by the Moscow Symphony Orchestra conducted by Alexander Anissimov recorded at Mosfilm Studio Moscow, Russia June & July, 1995. "This Naxos version is played elegantly and affectionately, and the Moscow upper strings are full and warm as recorded. It does not lack life. But in seeking atmosphere, the playing creates a less than vibrant effect, although this is partly caused by Alexander Anissimov's tendency to luxuriant tempi"- Penguin Guide.
21 Raymonda: Scene VII: Apparition de la Dame Blanche
22 Raymonda: Entr'acte
23 Raymonda: Scene VIII
24 Raymonda: Troisieme Tableau
25 Raymonda: Grand Adagio - Alexander Kalashkov
26 Raymonda: Valse Fantastique
27 Raymonda: Variation I
28 Raymonda: Variation II
29 Raymonda: Variation III
30 Raymonda: Coda
31 Raymonda: Scene Ix
32 Raymonda: Scene Mimique
33 Raymonda: Scene X
34 Raymonda: Ronde de Follets Et de Farfadets
35 Raymonda: Scene XI
36 Raymonda: Scene XII
- Disc 2 -
1 Raymonda: Entr'acte
2 Raymonda: Scene I
3 Raymonda: Scene II
4 Raymonda: Scene III
5 Raymonda: Variation I
6 Raymonda: Variation II
7 Raymonda: Variation III
8 Raymonda: Variation IV
9 Raymonda: Grand Coda
10 Raymonda: Scene Mimique
11 Raymonda: Entree Des Jongleurs
12 Raymonda: Danse de Garcons Arabes
13 Raymonda: Entre Des Sarrazins
14 Raymonda: Grand Pas Espagnol
15 Raymonda: Danse Orientale
16 Raymonda: Bacchanale
17 Raymonda: Scene IV
18 Raymonda: Le Combat
19 Raymonda: Hymne
20 Raymonda: Entr'acte
21 Raymonda: Le Cortege Hongrois
22 Raymonda: Grand Pas Hongrois
23 Raymonda: Danse Des Enfants
24 Raymonda: Entree
25 Raymonda: Pas Classique Hongrois
26 Raymonda: Variation I
27 Raymonda: Variation II
28 Raymonda: Variation III
29 Raymonda: Variation IV
30 Raymonda: Coda
31 Raymonda: Galop
32 Raymonda: Apotheose
1996 release. Alexander Glazunov (1865-1936) Raymonda, Op. 57 Complete Ballet performed by the Moscow Symphony Orchestra conducted by Alexander Anissimov recorded at Mosfilm Studio Moscow, Russia June & July, 1995. "This Naxos version is played elegantly and affectionately, and the Moscow upper strings are full and warm as recorded. It does not lack life. But in seeking atmosphere, the playing creates a less than vibrant effect, although this is partly caused by Alexander Anissimov's tendency to luxuriant tempi"- Penguin Guide.
