Show results for
Deals
- 4K Ultra HD Sale
- Action Sale
- Alternative Rock Sale
- Anime sale
- Award Winners Sale
- Bear Family Sale
- Blu ray Sale
- Blues on Sale
- British Sale
- Classical Music Sale
- Comedy Music Sale
- Comedy Sale
- Country Sale
- Criterion Sale
- Electronic Music sale
- Fantasy Film and TV
- Folk Music Sale
- Hard Rock and Metal Sale
- Horror Sci fi Sale
- Jazz Sale
- Kids and Family Music sale
- Kids and Family Sale
- Metal Sale
- Music Video Sale
- Musicals on Sale
- Mystery Sale
- Naxos Label Sale
- Olive Films on Sale
- Page to Screen Sale
- Paramount Sale
- Pop and Power Pop
- Rap and Hip Hop Sale
- Reggae Sale
- Rock and Pop Sale
- Rock Legends
- Soul Music Sale
- TV Sale
- TV Sale
- Vinyl on Sale
- War Films and Westerns on Sale

Complete Music for Guitar
- Format: CD
- Release Date: 7/28/2023

Complete Music for Guitar
- Format: CD
- Release Date: 7/28/2023
- Composers: Fabio Vacchi
- Label: Brilliant Classics
- UPC: 5028421969763
- Item #: 2633496X
- Genre: Classical
- Release Date: 7/28/2023

Product Notes
Born in 1949, Fabio Vacchi stands among the pre-eminent Italian composers of his generation. Working primarily in the operatic field, he has had pieces staged at the Teatro alla Scala and by the Opéra Comique in Paris, the Opera de Lyon, the Maggio Musicale in Florence and the Teato Comunale in his home city of Bologna. Vacchi's instrumental pieces have attracted similar high-profile performances. His chamber cycle Luoghi Immaginari (1987-1992), has been given across the world, including at the Salzburg Mozarteum conducted by Daniel Harding. Other pieces were commissioned by Claudio Abbado and by the Tokyo Quartet. The most substantial piece on this new collection of his chamber pieces was commissioned by the Swedish guitarist Magnus Andersson and first performed by him in 1997 as a guitar concerto; this Quintetto Notturno Concertante dates from 2012 and is a masterful condensation of the complexities of the original, rich instrumental texture, while preserving it's fleeing moods and subtly shifting changes of harmony. At the other end of this collection, Livia Rado sings Flow my Dowland, a rapturous transformation of five songs by the Elizabethan lutenist, in which the original vocal part is richly embroidered by Vacchi's own modern reimagination of the accompanying part, scored for a small ensemble of winds, strings, vibraphone and harp, to melting and magical effect. In between come a pair of solo works, though in fact Plynn quotes Britten's Nocturnal after John Dowland as a study of harmonics on the guitar, evoking it's most dreamlike and insubstantial timbres. The earliest piece here is a Suite for flute and guitar, dating from 1971. Here, the 22-year-old Vacchi is at his most experimental in terms of both form and harmony, employing extraneous elements such as pen and paper and sending both instruments to the extremes of their register, though always with an intrinsically idiomatic sympathy. Any listener with an ear for the Italian postwar avant-garde will find this newly recorded album full of delight and discovery.