After her first solo record, E il violoncello suonò, Hanna Salzenstein, in this second opus, gets on with the story of the emergence of the solo cello in Italy in the early 18th century, highlighting the concertante repertoire for solo cello and orchestra in a period immediately following the birth of the concerto itself. The concerto is here the most iconic genre regarding the emancipation of an instrument. It is the locus of the demonstration of finger dexterity as well as that of expressiveness and profoundness intrinsic to the cello. Hanna Salzenstein is accompanied by the Orchestra of the ensemble Le Consort.
1 Stravinsky: Divertimento, Symphonic Suite for Orchestra from "Le Baiser de la Fée", K049: I. Sinfonia
2 Stravinsky: Divertimento, Symphonic Suite for Orchestra from "Le Baiser de la Fée", K049: II. Danses Suisses
3 Stravinsky: Divertimento, Symphonic Suite for Orchestra from "Le Baiser de la Fée", K049: III. Scherzo (Au Moulin)
4 Stravinsky: Divertimento, Symphonic Suite for Orchestra from "Le Baiser de la Fée", K049: IV. Pas de Deux. Adagio - Variation - Coda
5 Stravinsky: Curiosity, Genius, and the Search for Petula Clark
6 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: I. Ouverture. Allegro Moderato
7 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: II. Serenata. Larghetto. Mentre L'erbetta Pasce L'agnella
8 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: III. Scherzino. Allegro - Poco Più Vivo
9 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: IV. Allegro
10 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: V. Andantino
11 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: VI. Allegro
12 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: VII. Ancora Poco Meno. Contento Forse Vivere
13 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: VIII. Allegro Assai
14 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: IX. Allegro - Alla Breve. Con Queste Paroline
15 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: X. Trio. Andante. Sento Dire No' NCÈ Pace - Allegro. Chi Dise Ca la Femmena
16 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: XI. Allegro. NCÈ Sta Quaccuna PÒ - Una Te Fa la Nzemprece
17 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: XII. Presto. Una Te Fa la Nzemprece
18 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: XIII. Allegro - Alla Breve
19 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: XIV. Tarantella
20 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: XV. Andantino. Se Tu M'ami
21 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: XVI. Allegro
22 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: XVII. Gavotta Con Due Variazioni
23 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: XVIII. Vivo
24 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: XIX. Trio. Tempo Di Minuetto
25 Pupillette, Fiammette D'amore
26 Stravinsky: Pulcinella, Ballet with Song in One Act, K034: XX. Finale. Allegro Assai
After her first solo record, E il violoncello suonò, Hanna Salzenstein, in this second opus, gets on with the story of the emergence of the solo cello in Italy in the early 18th century, highlighting the concertante repertoire for solo cello and orchestra in a period immediately following the birth of the concerto itself. The concerto is here the most iconic genre regarding the emancipation of an instrument. It is the locus of the demonstration of finger dexterity as well as that of expressiveness and profoundness intrinsic to the cello. Hanna Salzenstein is accompanied by the Orchestra of the ensemble Le Consort.
