The notorious final film from Pier Paolo Pasolini (MAMMA ROMA), SALO, OR THE 120 DAYS OF SODOM, has been called nauseating, shocking, depraved, pornographic... It's also a masterpiece. The controversial poet, novelist, and filmmakers transposition of the Marquis de Sades eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in.