Although the songs for voice play a comparatively minor role in Haydn's oeuvre with piano accompaniment, yet demonstrates the careful installation, preparation and clear differentiation from it's competitors in the intention to appropriate on the open market than in all musical genres, if not recommended as the superior composer and establish. The minor importance, playing his songs today, is one of the many injustices that never really called into question repertoire education, from an ignorant underestimation Haydn speaks. Anne Cambier and Jan Vermeulen spot him here for us again to be extremely skilful song composers.
1 Der Erste Kuss ('Leiser Nannt Ich Deinen Namen'), for Voice & Keyboard, H. 26A/3
2 An Thyrsis ('Eilt Ihr Schäfer Aus Den Gründen'), Song for Voice & Piano, H. 26A/8
3 Ein Kleines Haus, Song for Voice & Keyboard, H. 26A/45
4 Liebeslied ('So Lang, Ach! Schon So Lang Erfüllt'), Song for Voice & Keyboard, H. 26A/11
5 Das Leben Ist Ein Traum, Song for Voice & Keyboard, H. 26A/21
6 Trachten Will Ich Nicht Auf Erden, Song for Voice & Keyboard, H. 26A/39
7 Geistliches Lied, Song for Voice & Keyboard (From Lieder FÜR Das Clavier II), H. 26A/17
8 Variations (6) for Keyboard in C Major, H. 17/5: Thema: Andante
9 Variations (6) for Keyboard in C Major, H. 17/5: Variation 1
10 Variations (6) for Keyboard in C Major, H. 17/5: Variation 2
11 Variations (6) for Keyboard in C Major, H. 17/5: Variation 3
12 Variations (6) for Keyboard in C Major, H. 17/5: Variation 4
13 Variations (6) for Keyboard in C Major, H. 17/5: Variation 5
14 Variations (6) for Keyboard in C Major, H. 17/5: Variation 6
15 Fidelity ('While Hollow Burst the Rushing Winds'), for Voice & Keyboard (English Canzonettas I), H. 26A/30
16 Sympathy, Song for Voice & Keyboard, H. 26A/33
17 The Mermaid's Song ('Now the Dancing...'), Song for Voice & Piano, H. 26A/25
18 Recollection, Song for Voice & Keyboard, H. 26A/26 (From English Canzonettas I)
19 Pleasing Pain, Song for Voice & Piano, H. 26A/29 (From English Canzonettas I)
20 Adagio for Keyboard in F Major, H. 17/9
21 Piercing Eyes, Song for Voice & Keyboard, H. 26A/35 (From English Canzonettas II)
22 A Pastoral Song ('My Mother Bids Me Bind My Hair'), Song for Voice & Keyboard (English Canzonettas I), H. 26A/27
23 She Never Told Her Love, Song for Voice & Keyboard, H. 26A/34 (From English Canzonettas II)
24 Sailor's Song, for Voice & Keyboard, H. 26A/31 (From English Canzonettas II)
Although the songs for voice play a comparatively minor role in Haydn's oeuvre with piano accompaniment, yet demonstrates the careful installation, preparation and clear differentiation from it's competitors in the intention to appropriate on the open market than in all musical genres, if not recommended as the superior composer and establish. The minor importance, playing his songs today, is one of the many injustices that never really called into question repertoire education, from an ignorant underestimation Haydn speaks. Anne Cambier and Jan Vermeulen spot him here for us again to be extremely skilful song composers.
