Throughout the history of jazz, groups with a three-horn frontline have been among the more important ensembles of the music. While still giving plenty of space for individual soloists, the configuration has offered unique, creative writing options while maintaining a sleek and mobile blend, avoiding the feeling of a heavier large-ensemble. Immortal recordings by greats including Louis Armstrong, Art Blakey, Miles Davis, Horace Silver, Charles Mingus and John Coltrane set an extremely high standard.

John Fedchock's illustrious career in jazz has spanned over three decades. Since his emergence on the scene in 1980, Fedchock has established himself as a world-class trombone soloist, a heralded bandleader, and a Grammy-nominated arranger. An in-demand performer and writer in New York City for over twenty years, his multifaceted talents have led him to become one of NYC's premiere jazz artists.

The inspiration for this group first came in 2000 after recording a few three-horn arrangements. The first official gigs as a sextet came in 2005. This group has become a "working band" maintaining it's personnel, developing a group concept, and growing.

A major part of what makes this project unique is the exceptional musicians. All are master improvisers who not only thrive within a modern framework, but also have not forgotten how to swing in a genuine and profound way. Players with these qualities gave Fedchock the freedom to experiment with vintage repertoire by adding a new viewpoint while still maintaining the true essence of the material.

It's a pleasure to present John Fedchock's newest music with this close-knit and seasoned group - keeping the distinguished sextet tradition.