Show results for
Deals
- 4K Ultra HD Sale
- Action Sale
- Alternative Rock Sale
- Anime sale
- Award Winners Sale
- Bear Family Sale
- Blu ray Sale
- Blues on Sale
- British Sale
- Classical Music Sale
- Comedy Music Sale
- Comedy Sale
- Country Sale
- Criterion Sale
- Electronic Music sale
- Fantasy Film and TV
- Folk Music Sale
- Hard Rock and Metal Sale
- Horror Sci fi Sale
- Jazz Sale
- Kids and Family Music sale
- Kids and Family Sale
- Metal Sale
- Music Video Sale
- Musicals on Sale
- Mystery Sale
- Naxos Label Sale
- Olive Films on Sale
- Page to Screen Sale
- Paramount Sale
- Pop and Power Pop
- Rap and Hip Hop Sale
- Reggae Sale
- Rock and Pop Sale
- Rock Legends
- Soul Music Sale
- TV Sale
- TV Sale
- Vinyl on Sale
- War Films and Westerns on Sale

Piano Sextet / Piano Quartet / Piano Trio
- Format: CD
- Release Date: 8/5/2022

Piano Sextet / Piano Quartet / Piano Trio
- Format: CD
- Release Date: 8/5/2022
- Composers: Fanny Mendelssohn Hensel, Felix Mendelssohn
- Label: Chandos
- UPC: 095115225622
- Item #: 2510300X
- Genre: Classical
- Release Date: 8/5/2022

Product Notes
Fanny Mendelssohn Henshel, born four years before her brother Felix, was an accomplished pianist and a prolific composer. When she died of a stroke aged just 42, she left around 460 pieces of music, some 250 of which are songs. The difficulties of making a career in her own era (Her supportive father would not allow her to publish or work as a 'professional' composer) have condemned much of her work to obscurity: a situation that is now rapidly being reversed with more concerts and recordings of works by women composers. Here the award-winning Kaleidoscope Collective champion her Piano Trio and Piano Quartet, alongside Felix Mendelssohn's under-performed Piano Sextet. Fanny composed her Piano Quartet whilst a student, aged 17. In contrast, the Piano Trio was her last chamber work, written in her final year. Felix Mendelssohn's Piano Sextet was also an early work, written in just a few short weeks in the spring of 1824. For some reason he never published the work (perhaps because of the unusual scoring) hence it became his Op. 110 when published posthumously in 1868.