One of the most visionary artists to arise from the pre-digital, shot on video underground, director Charles Pinion's awe-inspiring features fearlessly blurred the lines between punk rock, Cinema of Transgression, avant-garde surrealism, pornography, and backyard splatter films. Saturn's Core is proud to present two of Pinion's most daring works with newly reconstructed, director approved restorations from the original analog master tapes. Red Spirit Lake (1993): After a vengeful sorceress is tortured and killed by a corrupt industrialist looking to harnass the spectral powers of Red Spirit Lake, her niece arrives in snow covered Angel Falls to settle her aunt's estate. A meditation on The Old Dark House replete with UFO abductions, castration, frank nudity, witchcraft, fatal fistings, and slughterous saunas; Red Spirit Lake is a cacophony of subversive hyper violence, psychotic surrealism, salacious sexual choas, and picturesque winter vistas featuring acting performances by a cavalcade of legendary Cinema of Transgression era artists and filmmakers including Richard Kern, Holly Adams, Kembra Pfahler, Tessa Hughes-Freeland, and Tommy Turner as well as an insurgent soundtrack featuring music by Cop Shoot Cop, Lydia Lunch, Clint Ruin, and The Lunachicks. We Await (1996): A con artist is held captive by an unhinged cannibal family that ingests copious quantities of hallucinogenic, green fungal goo covertly harnessed from an otherworldly, sentient crystal housed in their third third floor apartment of horrors. Featuring a man who willfully chooses to be a dog, sexual stimulation via blowtorch, and a corpulent, nude and blood soaked Godzilla-sized Jesus, We Await is a shot on video, urban riff on The Texas Chainsaw Massacre that slowly descends into a psycho sexual, drug-fueled, analog aurora borealis nightmare like no other. Starring director Pinion, adult filmmaker David Aaron Clark, visual artist Alyssa Taylor Wendt, and boasting a blistering soundtrack featuring music by Crash Worship, Neurosis, and Unsane.