Show results for
Deals
- 4K Ultra HD Sale
- Action Sale
- Alternative Rock Sale
- Anime sale
- Award Winners Sale
- Bear Family Sale
- Blu ray Sale
- Blues on Sale
- British Sale
- Classical Music Sale
- Comedy Music Sale
- Comedy Sale
- Country Sale
- Criterion Sale
- Electronic Music sale
- Fantasy Film and TV
- Folk Music Sale
- Hard Rock and Metal Sale
- Horror Sci fi Sale
- Jazz Sale
- Kids and Family Music sale
- Kids and Family Sale
- Metal Sale
- Music Video Sale
- Musicals on Sale
- Mystery Sale
- Naxos Label Sale
- Page to Screen Sale
- Paramount Sale
- Pop and Power Pop
- Rap and Hip Hop Sale
- Reggae Sale
- Rock and Pop Sale
- Rock Legends
- Soul Music Sale
- TV Sale
- TV Sale
- Vinyl on Sale
- War Films and Westerns on Sale

Songs of Innocence & of Experience
- Format: CD
- Release Date: 10/19/2004

Songs of Innocence & of Experience
- Format: CD
- Release Date: 10/19/2004
- Orchestras: University of Michigan Symphony Orchestra
- Performers: Carmen Pelton, Christine Brewer, Ilana Davidson, Jeremy Kittel, Joan Morris, Linda Hohenfeld, Marietta Simpson, Measha Brueggergosman, Men of the University Musical Society Choral Union, Nathan Lee Graham, Nmon Ford, Peter "Madcat" Ruth, Thomas Young, Tommy Morgan, University Musical Society Choral Union, University of Michigan Chamber Choir, University of Michigan Orpheus Singers
- Label: Naxos American
- Number of Discs: 3
- UPC: 636943921623
- Item #: NAX392162
- Genre: Classical
- Release Date: 10/19/2004

Product Notes
William Bolcom: Songs of Innocence and of Experience (2004) - Carmen Pelton (soprano), Christine Brewer (soprano), Contemporary Directions Ensemble, Ilana Davidson (soprano), Jeremy Kittel (fiddle), Joan Morris (mezzo-soprano), Linda Hohenfeld (soprano), Marietta Simpson (contralto), Measha Brueggergosman (soprano). From the time he was a teenager, William Bolcom had dreamed of setting William Blake's epic poem collection Songs of Innocence and of Experience to music - and eventually he did. But it took over a quarter of a century, from the first completed songs at age 17 in 1956 until 1982 when, as a tenured professor at the University of Michigan at Ann Arbor, Bolcom was finally able to find time to pull it all together. And then Bolcom had to wait another two years for the first performance in Stuttgart, and another 20 years until some record company was enterprising enough to take it on. In the eclectic spirit of Blake, the result is an extraordinary synthesis, a two-hour-and-17-minute song cycle for choirs, vocalists, electric and folk instruments, and symphony orchestra, in which Bolcom throws in just about every style he can think of.